The Ghanaian-American singer is attracting fresh global attention as her new project receives a review from influential international music publication Pitchfork.
MOLIY is taking her Ghanaian sound to an even bigger global audience. The Ghanaian-American singer has released her new mixtape, “BADDIES MOLIY,” and the project has now received attention from the international music publication Pitchfork. The review highlights her move towards club-focused sounds while praising her ability to blend different global genres.
THE NEW PROJECT
BADDIES <3 MOLIY showcases a different side of the singer, combining Afro pop with sounds including reggaeton, Jersey club, amapiano and bouyon. The project features tracks including “BOUNCE,” “BODY GO” featuring Tyla, “BACKIE” and “ACCRA GIRLS.”The mixtape follows MOLIY’s growing international profile after her breakout success with “Shake It To The Max (FLY)” and its various remixes.
PITCHFORK TAKES NOTICE
Pitchfork describes the project as a bold step in MOLIY’s artistic evolution, particularly highlighting her catchy hooks, vocal versatility, and ability to work across different dance styles. The publication also points to her celebration of African women and Ghanaian identity as an important part of her appeal. While the review notes that some songs could have been more original, it ultimately presents the mixtape as evidence of an artist continuing to find her sound.
MOLIY’S GLOBAL RUN
The attention comes as MOLIY continues building an international audience around her music. The singer has already announced a European tour supporting the project, with dates planned for Manchester, Birmingham and London in October. For a Ghanaian artist making waves across international music spaces, the Pitchfork review adds another major moment to her growing career.
MOLIY is clearly entering a new phase of her career, and with international critics now paying attention to her work, the Ghanaian singer is proving that her sound can travel far beyond home.
Have you listened to “BADDIES MOLIY” yet, and which song is your favorite?
